Number five in my quest to draw the entire 5th Edition Monster Manual — the Thri-kreen. I don’t even know what to say about this guy. A large majority of D&D monsters are either taken directly from traditional folklore/mythology/horror sources, or are at least inspired by the same. These guys are just crazy desert-dwelling bug people. I believe they come from the Dark Sun setting, which is a sort of gritty fantasy post-apocalypse sort of thing. I actually recently completed a commission of a Dark Sun party that featured one of these guys, so I had already figured out how to draw them, which made this one easier!
Number four in my quest to draw the whole 5th Edition Monster Manual: The Banshee! According to D&D lore, a Banshee is the spirit of a female elf who, in life, used her beauty for evil ends, and in death is cursed to roam the place of her demise, weeping and wailing, reliving every moments of her life with perfect recall. In the Irish mythology that the Banshee derives from, she’s called a “fairy woman”, and the possible reasons for her curse are more diverse.
Third in my series of creatures from the D&D 5th Edition Monster Manual, we have the Griffon! It’s interesting how many monsters are just mashups of different animals! I guess that is pretty monstrous. I used to be terrible at drawing animals, but somewhere along the line, I guess I got to be pretty alright. A couple years back I illustrated a children’s book about an island full of tiny people who ride seagulls, so I really had to dig into how to draw birds, which came in handy here!
Second in my series of randomly-rolled-and-drawn monsters from the D&D Monster Manual, we have a Medusa. I had a minor obsession with Greek mythology as a kid, and I always thought Medusa was so cool. She was the only one of the Gorgons that ever got any press, really. I guess this one’s not necessarily THE Medusa. (And funny enough, in D&D, a Medusa is a completely different thing from a Gorgon, which is a kind of metallic bull.)
I plan to start formatting and providing these for use as paper miniatures once I’ve got a decent stack of them. If you use, or are interested in paper minis, and you have any thoughts or suggestions for me about what you want in a paper mini, please let me know!
I’m starting a series where I roll a random monsters from the D&D Monster Manual to draw, with an eye toward providing printable paper minis once I’ve got a big enough selection. Hopefully I can eventually do the whole thing! Here’s a Hellhound. I haven’t had the pleasure of running one of these guys yet, but my main group just hit level 3, so it might be time to throw a bad doggie at them!
Here’s a very challenging D&D piece I completed recently. The commissioner was a DM running two campaigns for two parties respectively, and he wanted both in the same scene, but with wildly different backgrounds — the desert sandstorm of White Plume Mountain, and the underground tunnels of Forge of Fury — with the DM conjuring a dragon in front of both parties. What’s more, he also wanted two additional versions with just one party and the DM. That required some additional drawing, as well as a lot of planning and experimentation with my coloring process especially, to separate it all out in the end. So like I said, a big challenge! But a very welcome one, which made this piece very interesting to work on.
Hoo boy, this one was a challenge! A lot of characters, a lot of character details, a lot of “business”, like the water genasi warlock pilfering a magical D30 from the dragonborn paladin’s pouch. Just a lot of stuff to fit into in the image. Very challenging, but worth it, because I think it came out very nicely, and the clients were very pleased. Most of the D&D party commissions I do are either an action scene of some kind, or a “group photo” where everyone just poses and looks cool. And those are great! But it was a nice change of pace to depict a quiet moment of travel, so often glossed over in our games as well as in our art!
Here’s a really fun D&D commission I did a couple months back. The commissioner’s group was putting their regular game on hold for a Halloween session where their characters would encounter a fantasy version of a stereotypical Italian restaurant — a CANNIBAL Italian restaurant, run by the evil Tony Linguine and his staff of drunken goblins — and the PCs are on the menu (literally)!
Thanks for looking, and if you want to see more, you can check out my website at http://www.brandonpalas.com!
Here’s a recent commission — a poster for a D&D campaign called Children of the Blood Star. The heroes (the titular children, I assume) stand in front of the campaign’s main city, a flurry of red lanterns rising into the air, with the evil Zolph looming in the background above them. His broken skull contains The Void. The titular Blood Star can be seen over his shoulder.
I love doing these poster-style commissions! I’m not exactly a graphic designer, but these heavy metal-ish hand-drawn titles are a blast.
Been feeling the itch to get on the other side of the DM screen for a change, so I dropped into a D&D Adventurers League game at my local gaming store. You always hear horror stories about the kinds of weirdos you can run into at public games, so I was a little apprehensive, but everyone at the table was great.
I played human rogue Velira Splinth. She’s a former burglar, but she’s going straight, and taking up the comparatively honest profession of adventuring. She was hastily thrown together by grabbing a name I liked from my notebook. No complex backstory, but just the name gave me enough of a sense of who she was to have some fun with a terrible cockney accent!
A recent commission. A couple of Half-elf adventurers, preparing for battle! He’s a Great Old One warlock whose patron is a big blue sun that appears to him but never speaks, and he summons his pact weapon by pulling it out of a black (blue?) hole. She’s a glamour bard who was raised in the feywild, and here we see in her in her Mantle of Majesty, just beating the world into submission with her radiant beauty.
Here’s a cool Curse of Strahd commission I recently had the chance to do. It was commissioned to commemorate the end of the campaign, and immortalizes the triumphs and epic fails of the party, such as taking over a town, punching your way out of a shambling mound, accidentally burning down a windmill with a bunch of kids inside, accidentally drowning a bunch of ravens who were actually people, accidentally blowing up a wagon, and taking advice from a talking sword. And of course, Strahd himself looms over the whole thing.
Artistically, it was a big challenge to fit this many characters, with this many bits of “business”, onto the page in some kind of coherent composition, all while giving each character the “screen time” they deserve. I think it ultimately came out very nicely, but it took a lot of messing around to get it there!
I recently had the opportunity to draw this for the D&D Livestream Show Total Party Chill! Fun characters, and lots of places to fit in bits of character acting in the drawing.
Here’s a fun D&D commission (Well, Pathfinder technically, but same difference!) with a cool adventuring party in Magnimar, the City of Monuments. (My favorite part is the Monkey Goblin hanging from the gate!)
Here’s a fun commission I finished up recently — a party exploring a friendly wizard’s laboratory. I love doing the group-portrait and action shots that I usually get commissioned for, but this was a really nice change of pace. I got to do a little storytelling, and come up with some fun wizard’s trinkets. It felt more like drawing a comic book panel, and since we’re between volumes of Mantamaji right now, I haven’t drawn a comic panel in a while.
Here’s a fun commission I recently had the chance to do, featuring a lovely couple (and their parrots!) plying their axe-throwing hobby against an army of zombies!